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nina simone live in concert

The most famous version is as the final track on Nina Simone in Concert, taken from three performances at Carnegie Hall in New York in March and April of 1964. was "recorded live in concert at various locations including Fort Dix". 'Dont Smoke In Bed' is a great track with some funny lyrics. By this time, Nina had become central to a circle of African American playwrights, poets, and writers all centered in Harlem along with the previously mentioned Lorraine Hansberry, James Baldwin and Langston Hughes. was "recorded live in concert at various locations including Fort Dix". Aside from 1982’s Fodder On My Wings that Nina recorded for Carrere Records, two albums she made of the independent VPI label in Hollywood (Nina’s Back and Live And Kickin’) in 1985, and a 1987 Live At Vine Street set recorded for Verve, Nina Simone did not make another full length album until Elektra A&R executive Michael Alago persuaded her to record again. “Critics started to talk about what sort of music I was playing,” writes Nina in her 1991 autobiography I Put A Spell On You, “and tried to find a neat slot to file it away in. It was from these humble roots that Eunice developed a lifelong love of Johann Sebastian Bach, Chopin, Brahms, Beethoven and Schubert. Copyright © 2002-20 Presto Classical Limited. A single version was taken from the album, and was banned in several Southern states, nominally for having ‘Goddam’ in the title, but in reality for its angry protest at the killings, underlined by the fact that several boxes of the promotional singles sent out for radio promotion were returned to the label snapped in two. I also recommend this as an important album in Simone's discography... As it says in the title this a collection of blues songs, onto which Simone projects some of her most angry and intense performances. The song opened with a dazzling keyboard arpeggio that would become her signature for decades. Here, the singer and pianist is backed by a spare, jazzy quartet, and some of the songs rank among her most socially conscious declarations of African-American pride: "Old Jim Crow," "Pirate Jenny," "Go Limp," and, especially, "Mississippi Goddam" were some of the most forthright musical reflections of the Civil Rights movement to be found at the time. 'Go Limp' one of the funniest live takes I've heard. Her family had already moved to the City Of Brotherly Love, but Eunice’s hopes for a career as a pioneering African American classical pianist were dashed when the school denied her admission. Nina herself would later claimed that she ”hated” the record but many fans strongly disagreed. With the kind of “clean” sound that was a hallmark of CTI recordings, the Nina Simone album that emerged was simply brilliant. The title track, Randy Newman’s evocative “Baltimore,” was an inspired Nina Simone choice. Her first album Little Girl Blues included one of her most enduring recordings, the jazz standard My Baby Just Cares For Me, but she unwisely she sold her rights to the album outright for $3,000, earning nothing from it when it was released as a single in 1980 (the first of many unlucky or ill-advised business decisions). Verified Purchase. It's just as compelling as Live in Concert. From the perspective of late 2019 it stands as a timely warning of the dangers of complacency.

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