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hitchcock or spielberg

Spielberg has only made 12 films under two hours, and his longest is a whopping three hours and 15 minutes long (“Schindler's List”). That’s when they spot a family lurking in their driveway in the middle of the night. He's produced nearly all of his own films along with celebrated greats like “Poltergeist” (1982), “Letters from Iwo Jima” (2006), and “Super 8” (2011). Wenn Sie Hilfe bei einem bestimmten Rätsel benötigen, hinterlassen Sie hier Ihren Kommentar. That averages out to 1.37 years, or 500 days, between each. All-timers like John Ford, Akira Kurosawa, Howard Hawks, and Yasujiro Ozu cranked movies out just as, if not more, frequently. Famed first critics Andre Bazin and Andrew Sarris consistently gave Hitchcock's films the highest marks, and Roger Ebert extolled them retrospectively. And if we zoom in on 1958 through 1963, we see what might be one of the most impressive streaks of all-time in “Vertigo,” “North by Northwest,” “Psycho,” and “The Birds” back-to-back-to-back-to-back. Although nominated five times, Hitchcock never won Best Director. Imagine being the PA asked to chase away Steven Spielberg. But Hitchcock was a perfectionist, the classic epitome of an auteur—perhaps an over-aggressive version of one, like Stanley Kubrick—running sets like a totalitarian regime and deflecting all creative debate. Audiences have adored Spielberg and Hitchcock alike for decades—and the data shows it. It features science-fiction and action film director, Steven Spielberg, suspense and horror film director, Alfred Hitchcock, film noir director, Quentin Tarantino, arthouse director, Stanley Kubrick, and blockbuster action film director, Michael Bay in a five-way … Alfred Hitchcock movies had their fair share of suspense full and eerie music but that remains limited to only a few shots. Pauline Kael was one of his only noteworthy critical dissenters on a regular basis. Today, the two are recognized as some of the most significant filmmakers of all time—and rightfully so. Get Stacker's best stories delivered right to your inbox. She thought his later, most successful work lacked creativity, and accused him of being “quite rigid, almost like a religious fanatic.” Spielberg has long been adored, as well, only one of his 29 films listed as “generally unfavorable” and eight of the 29 recognized by their “universal acclaim,” the site's highest category of acclamation. Adjusted for inflation, Hitchcock's best performing films at the box office were “Rear Window” at $452.3 million coming in at #2 in 1954, “Psycho” at $382.2 million coming in at #3 in 1960, and “Notorious” at $335.9 million coming in at #8 in 1946. According to Schochet, that man was Spielberg. The 51st installment of ERB, and the 6th battle of season 4. Mark Rylance, Dan Aykroyd, Richard Dreyfuss, and others follow with three. Hitchcock's most disappointing box office performers came surprisingly near the heart of his career. Compare that to only six Spielberg movies without a score, and the benefit of Spielberg's modernity is glaring. The Twilight Zone-esque premise (fitting, since Peele’s reboot of the classic science-fiction series debuts on CBS All Access in April) quickly devolves into a chaotic slasher with a surprisingly deep mythology. Us puts a huge, can’t-miss spotlight on Peele’s acute sense of the “iconic moment.” Every other scene, line, image, and music cue seem destined to live on in the collective cultural psyche for years to come. He played the clarinet in the famous “Jaws” (1975) theme and was an uncredited second unit director for “The Haunting” (1999), “Arachnophobia” (1990), Amblin' Entertainment's “The Goonies” (1985), and best buddy George Lucas's “Star Wars: Episode III – Revenge of the Sith” (2005). You may also like: 100 greatest foreign-language films of all time. If I made 'Cinderella,' the audience would immediately be looking for a body in the coach.” In other words, Hitchcock stuck primarily to one genre, although it's worth recognizing that "genre" can be a limiting concept if relied on too heavily. Spielberg, on the other hand, is almost as recognized for his production credits as he is for his director credits. Hitchcock designed titles for 12 silent films from 1920 to 1922, served as art director on nine films from 1922–1925, and assistant directed on five films from 1923 to 1925. They’re different from Spielberg’s oeuvre because they’re different from everyone’s. A bulk of his writing credits are for the groundbreaking “Medal of Honor” video game series, which he created in 1999. Average shot length (ASL) is not a popularly discussed aspect of a film, but it says a lot about the directors and/or producers in charge. Well-meaning and reverential as these comparisons are, they belie a far more significant takeaway from the successful premiere of Peele’s second film as a director: There has never been anyone like this in Hollywood before. By providing your email, you agree to the Quartz Privacy Policy. Their streaks are among many aspects setting them leagues apart from their contemporaries, who could only ever dream of such swimming successes.

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