The Forge Bolter is a large Boltgun mounted onto the back of the Power Armour of Techmarines. Despite the fact that they pale in comparison to their larger cousins, their power is still such that they can easily cut a man in two. Standout tracks: Well, all of them but if I had to pick a few they would be 'World Eater' which to date is still a favorite song of mine. Although released over twenty years ago, this album manages to be everything that brutality aspires to be. The album was the perfect accompaniment to the universe of its subject matter, and in return the sci-fi geek elements crossed this band over past the borders of the standard metal listener.
What I can say though is that this is a perfect thematic basis for a death metal album. Some of the standout songs are "Eternal War", "Through The Eye of Terror", and of course, a Bolt Thrower fan favourite, and one of their live staples, "World Eater". “In Battle There Is No Law” really is something special. It's something that Chris Barnes could have never done.
The bass was apparently down tuned so low the strings wouldn't vibrate and the drums give off a sense of all-out war combat. The Blood Angels and their successor Chapter use a wrist-mounted, drum-fed variation of the standard boltgun for their Sanguinary Guard called the Angelus boltgun. Realm of Chaos is also, in my opinion, the strongest or maybe tied for strongest with Warmaster which is another phenomenal record. There's nothing jagged or piercing about it, even the guitar solos are like dim lights seen through grimy glass, barely glimpsed in the face of a wall of sound that makes the ones in Berlin and China look like Legos in Hadrian's playroom. The riffs played here range from doom riffs, death metal riffs, grind riffs, and some thrash riffs. This music perfectly creates an aural manifestation of such imagery. Music has struggled to come to grips with this reality since our early ancestors first pulled animal skins across a drum head. Of all the various early death metal albums out there, this is one of a very select few which really master the concept album approach. Often the beat will change up just enough on the same riff to provide interesting dynamics. It fits perfectly because it represents the disorienting chaos of battle and how one barely keeps up with the pace of battle to survive. Its character is definitely closer to the brutal sound of the 90s that all but completely shed itself of its thrash metal roots, but it refused to present itself in a disorganized fashion in order to but brutality on a pedestal above musicality. Every member is playing their heart out. Whilst they unleash their devastating weaponry upon their foes, there is no time for peace, only eternal war...” and as the background noises slowly fade out, the listener gets thrown into one of the most iconic and badass tracks of the entirety of Bolt Thrower’s discography, Eternal War. The drumming is sloppy. It just goes crazy fast for almost the whole song. 08) World Eater: This is right up there with "Through The Eye Of Terror" for best song on the album. Andy Whale's drums sound much more dynamic on this record, and when the blast beat kicks in, prepare for your spine to break. Notable examples of this can be found on Lost Souls Domain, Eternal War, and World Eater. What's even greater is that you can actually tell perfectly what he's saying. 09) Drowned In Torment: We're making a theme of this! But the character of the guitar has become so deep and sludgy that it shares more in common with Napalm Death or early 90s Morbid Angel than Slayer. Bolt Thrower were one of the first metal bands ever to have a set theme, which is also really appreciated, it showed that a band can stick to a certain theme, but also be creatively free at the same time, pushing the boundaries of what they can achieve within their own stipulations, and Bolt Thrower is a prime example of this, which is most prominent on this album. Emphasis on rhythm, as opposed to melody. The other songs on display (especially opener "Eternal War", "Lost Souls Domain", and the aforementioned "World Eater") carry the same feel of pure war, with their chaotic and urgent feel. The album also has a "wall of sound" which can be attributed to both the album's above average production as much as to the actual instrumentation. Bolt Thrower lay such an assault upon the optimistic of heart and mind, revealing through a clever yet unsubtle parable known to those educated in the realm of old school brutality as “Realm Of Chaos”. "Through The Eye Of Terror" especially is my favorite song on this whole album, with its eerie and ominous opening riff and its churning bulldozer verses alternating with blast beat choruses that will tear you a new one in seconds. Due to the fact that in most cases specific boltgun images are not labelled, unnamed designs are collected here, grouped by outward similarity. Realm of Chaos shows a serious step up in every aspect of the music. Songs are based around elements of the future universe of the 40k game, war and the eternal fight against the evil forces of chaos. Still, would mechanical precision sound appropriate here? -autothrall It fits perfectly because it represents the disorienting chaos of battle and how one barely keeps up with the pace of battle to survive. Finding Highlights for this album is, at least for me, very complicated, as all songs add their part unto this magnificent album, however if i absolutely had to, then I would go with the ones listed above. What came from the speakers was a huge (for that day) wall of sound even faster than most of the thrash I had known and with a sound so thick and brutal I immediately understood why Games Workshop was associated with them. The music is down-tuned, grimy, and lumbering. 04) Dark Millennium: This is another song that is made through brutal drumming and some thrashy riffs. Andy Whale was the weakest link in this band, no two ways about it, with his sloppy double bass technique. It’s far from mathematically perfect and even sloppy sometimes. For a lot of Bolt Thrower fans, Realm of Chaos and Warmaster’s music really has become a soundtrack to the universe of Warhammer 40k. Realm of Chaos: Slaves to Darkness is just great! The album still had some hardcorepunk attitude hovering over it in terms of aggressiveness, speed and looseness. It has the crustier grindier elements of their early material but with the midpaced and doomy feel of later crusades. Without the bass, this would sound thin and lose part of it's vigour and all encompassing effect. The bottom end on this album is bigger than the arse of your average elephant. -ass riffs that I just want to grab my bolter, charge into the street, make mountains of shredded dead, and stomp defiantly...challengingly...through the remains.
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